These days I’m really enjoying Longform Editions, a label from Sydney, Australia that only releases longform music, i.e. really long songs. Each release is a single piece of music, ranging from twenty to sixty-plus minutes. The label has a wide genre focus: electronic, folk, jazz, experimental, all united by the same prompt. My personal favorites … Continue reading Immersive Attention →
Really loved this newsletter entry (post? Edition? What are we calling these things in this Newsletter Golden Age?) from Damon Krukowski. He’s a musician, critic, deep listener/thinker, and he tackles the thirtieth anniversary of Nirvana’s Nevermind from the perspective of a working musician who was on the road at the same time as Nirvana in … Continue reading Zeitgeist & Sound →
When I built out my garden last fall, failure terrified me. Any wilting leaf, any pest, any problem filled me with such dread. When you have a garden, you’re suddenly responsible for living creatures and the delicate, utterly mysterious balance between them. There’s also that old human bias that rears up in your gut: the … Continue reading The Garden Of Failure →
Earlier this week, I released Drift, under the name Vinespeed. This album is a souvenir of the pandemic, a way to bracket off this time: for me, this is what it felt like to live, 2020-2021. A drifting, murky experience, punctuated by both intensity and strange slowness. These songs came about accidentally and awkwardly across … Continue reading Drift →
There are many different times nested within the general COVID Time, like some bizarre temporal Russian doll. Days of anxiety and rage and fear and sadness have slowly given way to “I can handle this alright,” which has then given way to sheer and utter burnout. Not much is really grabbing me these days; I … Continue reading Paths →
My first favorite thing about henbit dead-nettle: the name, my god, that name. A name that requires an “excuse me, did you just say ‘henbit dead-nettle?’” You can imagine the name rolling effortlessly out of some ancient British botanist’s mouth like pipe smoke, watching his chickens feast on the plant’s tiny seeds. You can play … Continue reading Henbit Dead-Nettle →
Across the last decade, I’ve noticed how less and less bands have been driving music culture. Instead, solo artists have become the norm. At KUTX, the vast majority of music we receive comes from solo artists. Mike Sniper, head of Brooklyn indie label Captured Tracks, laments this fact in a recent interview with Aquarium Drunkard. … Continue reading Our Band Could (Not) Be Your Life →
I’ve noticed a strange paradox hidden in these past 10+ months of the pandemic: with more time on my hands, I feel time to be even more precious to me. I’ve dropped a lot of old habits, reassessing what I pay attention to or care about. A lot of these old habits and interests seem … Continue reading More Precious Time →
“He discovers that words do not necessarily work, that it is possible for them to obscure the things they are trying to say.” Paul Auster, Ghosts The dark joke at the heart of the Harry Potter series is the fact that an eleven-year-old boy is more willing and able to name evil than the adults … Continue reading Broken Words, In Four Parts →
MF DOOM died on October 31, but in true mysterious MF DOOM fashion, the news didn’t break until December 31. He always cloaked himself in a shroud: the metal mask, the consistently inconsistent release dates, the obtuse art-rap. But that shroud drew a lot of people–myself included–closer. Just the cover of Madvillainy is enough of … Continue reading Word Music →
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